It used to be easy to tell if an Edward Hopper painting was a fake. If James Dean, Humphrey Bogart and Marilyn Monroe were sipping coffee in the "Nighthawks" diner, you could be pretty sure Edward ...

“The only influence I’ve ever had was myself,” the American painter Edward Hopper once said. A recent discovery by a graduate student, however, may qualify the artist’s claim to originality: at least ...

For Edward Hopper, a rugged coastline or rural highway could be as psychologically charged as a café at night or a deserted city street. But the American artist’s landscapes tend to get overshadowed ...

Edward Hopper’s Nighthawks, his most famous work, on view at the Art Institute of Chicago on December 19, 2013. John Gress/Corbis via Getty Images If Shadwick is indeed correct, then works that are to ...

Forbes contributors publish independent expert analyses and insights. Jonathon Keats is a writer and artist who critiques museum exhibits. Edward Hopper, Cape Cod Morning, 1950. Oil on canvas. 86.7 x ...

“Hopper: An American Love Story” will premiere at 8 p.m. Tuesday, Jan. 2, on New Mexico PBS, channel 5.1. The documentary follows the life of Edward Hopper, who traveled to New Mexico for inspiration.

An oil painting of a Cape Cod autumn scene by Edward Hopper — one of the last paintings by the American artist remaining in private hands — will be offered for sale in November for a pre-sale estimate ...

NEW YORK — You can’t think about Edward Hopper without thinking of mid-20th century New York: its shoulder-to-shoulder tenements, its bridges, its pharmacies, its lunch counters and late-night diners.

A little boy was trying energetically to climb atop one of the two lions that have long “guarded” the Art Institute as people poured through the doors on Saturday, becoming the latest of the millions ...

To celebrate Edward Hopper’s 142nd birthday, the Whitney Museum of American Art hosted its second annual bike ride to the artist's birthplace. Cyclists in front of the Edward Hopper House, Nyack, New ...

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In Alex Ross’ lyrical essay about the films of Andrei Tarkovsky, he describes the ending of Tarovsky’s masterpiece about a medieval Russian icon painter: “Suddenly, a black-and-white screen is filled ...